Dr. Michelle Heffner Hayes

College of Liberal Arts and Sciences - School of the Arts - Dance
Professor
Chair, Department of Dance
Primary office:
785-864-1098
Robinson Health and Physical Education Center
Room 251
University of Kansas
1301 Sunnyside Avenue
Lawrence, KS 66045


Summary

Michelle Heffner Hayes earned a Ph.D. in Dance History and Theory (now Critical Dance Studies) from the University of California, Riverside in 1998. She is a Professor and Chair in the Department of Dance at the University of Kansas, where she teaches arts administration, modern dance, improvisation, choreography, dance history and flamenco. Her book Flamenco: Conflicting Histories of the Dance was published by McFarland & Company in 2009. Other publications by Hayes include discussions of contemporary flamenco on film (Dancing Bodies, Living Histories: New Writings on Dance and Culture, 2000), parallels in postmodern dance improvisation and flamenco (Taken By Surprise: An Improvisational Reader, 2003) and understanding flamenco performance (The Living Dance. An Anthology of Essays on Movement & Culture, 2012). Most recently, she contributed to and co-edited Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives, with K. Meira Goldberg and Ninotchka Devorah Bennahum, McFarland & Company, Inc., October 2015. Hayes also served as the Executive Director of Cultural Affairs at Miami Dade College from 1999-2006, where she curated and managed a multidisciplinary performance and commissioning series devoted to contemporary and culturally specific work that is reflective of Miami's multi-ethnic community. She was the Artistic Director of the Colorado Dance Festival from 1997-1999, where she curated a performance and education series that concentrated on the dances of the African Diaspora. In over 15 years of experience as a performing arts administrator, she has been involved in creating new models for national arts education and audience development, as well as infrastructure development for international cultural exchange.

Teaching

Teaching is the place where I get to share my passion for dance and culture, and learn through dialogue with students. I like to think about the lessons of all my mentors as heirlooms that have been entrusted to me. At the same time, I learn from my students every day. Their feedback on the integration of my research and practice is vital.

Teaching Interests

  • Dance
  • Flamenco
  • Cultural studies
  • Feminist studies
  • Postcolonial studies
  • Pedagogy
  • Interdisciplinary collaboration
  • Improvisation
  • Embodiment

Research

My research takes the form of traditional scholarship, like books and articles that deal with dance as a form of cultural studies; but also choreography, the composition of dances, to explore ideas. For me, writing and choreography are inter-related fields. In both modes, I seek intelligibility. Movement is the lens through which I see the world. I write about flamenco and improvisation, primarily, but I'm interested in bodies and how they create and are created by issues of gender, race, sexuality, class and power.

Research Interests

  • Dance
  • Flamenco
  • Cultural studies
  • Feminist studies
  • Postcolonial studies
  • Pedagogy
  • Interdisciplinary collaboration
  • Improvisation
  • Embodiment

Selected Publications

Hayes, M. H. (in press). Lo Que Queda/That Which Remains. In B. W. Shiovitz (Ed.), Writing the Body: Staging the Other.

Hayes, M. H., & Goldberg, K. M. (2016). Duke University Dance Program Legacy Oral History Project, Duke Universities Library. Oral History Project, Belen Maya, Duke University Dance Program, Duke Universities Library.

Hayes, M. H. (2015). Choreographing Contemporaneity: Cultural Legacy and Experimental Imperative. In . (Ed.), Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives.

Hayes, M. H. (2015). Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives (N. Bennahum, K. Meira Goldberg, & M. Heffner Hayes, Eds.). Jefferson, NC: McFarland.

Goldberg, K. M., Bennahum, N. D., & Hayes, M. H. (2015). Introduction, Flamenco on the Global Stage: Critical, Historical and Theoretical Perspectives.

Hayes, M. (2014). Nuevo Flamenco: The Galvan Legacy [spanish title]. Philadelphia: Pew Charitable Trust. http://www.pasionyarteflamenco.org/

Hayes, M. H. (2013). Looking Back, Looking Forward: Belen Maya and the New Vanguard. 100 Years of Flamenco in New York. New York: New York Public Library for the Performing Arts.

Hayes, M. H. (2012). Flamenco: Music, Movement and Meaning. In J. Bennahum & N. Bennahum (Eds.), The Living Dance. An Anthology of Essays on Movement & Culture. Dubuque: Kendall Hunt Publishing.

Selected Work

Selected Presentations

Selected Grants


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